The rumblings of rock 'n' roll, the sounds of soul and funk, and the formation of the folk movement were already underway in the U.S. by the time the 1960s rolled around. Even so, few people were prepared for the way in which popular music would seep into every area of American life, providing a backdrop to political and social events as they unfolded, while simultaneously creating a new reality. From protest movements to music festivals, the 1960s ushered in a new era of music that would not only be remembered for the way it sounded, but also for the culture it formed and defined.
The '60s brought more and more genres of music onto the airwaves, from psychedelic rock— inspired by the prevalence of LSD within the youth culture of the time—to the rising popularity of funk and soul-infused pop coming out of Motown. At the same time, counterculture movements—which balked at the horrors of war along with the strict norms and buttoned-up values of the decades prior—emerged alongside the momentum of the Civil Rights Movement. These calls to action gave rise to a wide array of music, from the protest folk of musicians like Bob Dylan and Joan Baez to the blues and soul of artists like Nina Simone.
The new decade also brought a change to music and fan culture. Beginning in the late '50s with performers such as Elvis and fully emerging in the '60s with the Beatles and other highly popular groups, musicians and bands entered the realm of superstars, with devoted fans crowding in at performances and often joining bands on the road while they toured. The emergence of music festivals like the Monterey Pop Festival, Woodstock, and the Harlem Cultural Festival also redefined the culture around seeing music live.
But how did some of the biggest bands of the '60s get their start, and where are they now? Using data from the Recording Industry Association of America from the 1960s, Stacker researched the bestselling music groups of the decade and spotlighted 25 of the best, detailing how they started then and where they are now. Bestsellers were determined by their diamond, platinum, or gold ratings by the RIAA, and solo artists were not included in the list.